Sunday, 28 April 2013
Saturday, 27 April 2013
Testing Aperture 3.4.4 with X-Trans support
Today I decided to test Aperture one more time, just to see if my first impression was right.
I took Fujifilm X-Pro 1 with Fujinon 35mm on a short walk along the trail in the area. And then I processed all raw files in Aperture only.
Thursday, 25 April 2013
Lightroom 4.4 (ACR7.4) vs. Capture One Express 7.1.1 vs. Aperture 4.05 (X-Trans)
Hi All,
As usually I do not pretend that my test is a scientific research. I was looking for a Fujifilm X-Pro 1 raw file converter that works for me and would like to share my findings. I excluded supplied RFC (SilkyPix) from this comparison simply because I don't like its interface and hardly can imaging using it in the future. But don't get me wrong, RFC is very capable raw converter.
I leveraged Raw Photo Processor 4.7.0 (excellent free raw converter) to see how much details Aperture can resolve.
For test purposes I used my own files and raw files available from DPReview and Ryan Williams (Respective Owners, thank you and let me know if you would like to remove them from this review)
The file above was processed (with some adjustment) with three different engines but results look very similar. Why?
For test purposes I used my own files and raw files available from DPReview and Ryan Williams (Respective Owners, thank you and let me know if you would like to remove them from this review)
The file above was processed (with some adjustment) with three different engines but results look very similar. Why?
Labels:
ACR,
Aperture,
Capture One 7 Express,
Lightroom,
X-Trans RAW
Saturday, 20 April 2013
Dry Leaf Study
Leaves, as photographic object, have always fascinated me. Simplicity and yet such complexity.
Thanks,
vkphoto
Thanks,
vkphoto
Friday, 19 April 2013
Saturday, 13 April 2013
After the icy rain
April 12, 2012.
Looks like spring is well behind the schedule here in Ontario.
Thanks,
vkphoto
Looks like spring is well behind the schedule here in Ontario.
X-Pro 1 + Nikkor 28mm, f/2.8 AI-s + Capture One Express
X-Pro 1 + Fujinon 35 mm f/1.4 + Lightroom (my preset)
Thanks,
vkphoto
Wednesday, 10 April 2013
Italy with Panasonic DMC-LX5 (Rome)
In Rome I felt much better, but still din't want to cary DSLR with me all the time, and probably 70% were taken with LX-5. I used Canon gear exclusively only in Vatican.
I also had very small and light Polaroid tripod with me that worked well with tiny LX-5.
Colosseum at night, taken with LX-5 mounted on tripod.
I also had very small and light Polaroid tripod with me that worked well with tiny LX-5.
Colosseum at night, taken with LX-5 mounted on tripod.
Italy with Panasonic DMC-LX5 (Florence)
Couple days ago I was asked if Panasonic LX-7 is good enough to take on a trip to Italy. I never used LX-7 but about a year ago I had LX-5 with me on a trip to Florence and Rome. I checked archives and realized that although I had Canon DSLR and several L lenses I mostly used LX-5.
Why?
Sunday, 7 April 2013
My two Lightroom 4.4 presets for X-Trans CMOS
Last week Adobe released Lightroom 4.4 with enhanced support for Fujifilm X-Trans CMOS. This upgrade was result of joint Fujifilm and Adobe efforts, you can read the full story here.
With this release Adobe significantly improved demosaicing algorithm to address previous so called "water colour" and "colour bleeding" issues with X-trans CMOS raw files, albeit not 100% but they were reduced to a negligible level.
Great news. But I was disappointed to see that default output looked somewhat soft and dull. Sure I spent time working on sharpening and colour adjustments to make X-Pro 1 raw files look to my liking.
With this release Adobe significantly improved demosaicing algorithm to address previous so called "water colour" and "colour bleeding" issues with X-trans CMOS raw files, albeit not 100% but they were reduced to a negligible level.
Great news. But I was disappointed to see that default output looked somewhat soft and dull. Sure I spent time working on sharpening and colour adjustments to make X-Pro 1 raw files look to my liking.
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