Fuji x-trans raw file post-processed in dcraw 9.21
Here is my basic workflow and couple recommendations.
1. Create your test image folder and copy there one or more raw files, files with extensions like .arw, .nef. cr2., depends on the camera manufacturer. In my example I will use Fuji x-trans raw files with extension .raf. I put two files in my "test images" folder just to illustrate how dcraw works.
2. Right click on your image folder and start Terminal app
In my previous article I explained how to start Terminal in the folder of your choice but you can always navigate between different folders using cd command .
3. In Terminal window type: dcraw followed by your file name and extension, in this case it was my standard test image file _DSF8880.RAF
dcraw _dsf8880.raf
and hit Enter. Seems like nothing is happening, but wait... wait....
and after about 30 sec you should see a new file in the folder
but PPM file is not what I want. How do you change the output? Simply by using options. Type: dcraw and hit Enter
4. After experimenting with various combinations I settled down on this set of options as my starting point:
dcraw -v -w -o 4 -q 3 +M -6 -T filename.raf
Quick explanation why I chose these options:
-v Print verbose messages
-w Use camera white balance, if possible
-o 4 Output colorspace = ProPhoto
-q 3 High interpolation quality
+M Use an embedded color matrix
-6 Write 16-bit output file instead of 8-bit
-T Write TIFF instead of PPM
and 16-bit TIFF file that other imaging programs can recognize. Keep in mind, if you re-run the program it will overwrite the output file. You need to rename the output if you would like to save the variant before the re-run.
5. Looks good, but I didn't like blown highlights
Easy fix with options -H (to recover highlights) and -b (to improve the image brightness after highlight recovery, let's add those to the standard set of options:
dcraw -v -w +M -o 4 -q 3 -6 -T -H 9 -b 4 _dsf8880.raf
Just for fun, I also compared dcraw output (with highlights recovered) to ACR 8.4 (used in CS and LightRoom). ACR is arguably the best tool to recover highlights and I applied it at 100%.
I was surprised to see that while ACR pushed highlights into uniformed grey, dcraw took tones from the surrounding non-blown areas and recovered highlights look more natural. Could be a big plus for portrait work.
My second observation was about the colour hue, I guess the difference is obvious. But I suggest to test dcraw yourself and draw your own conclusion.
In my next article I will talk about really good (and free) GUI front-end to dcraw.
All the best,
vkphto
Nice article, thanks
ReplyDeleteVery interesting :-)
ReplyDeleteBut sadly your DCRaw Dropbox link don't work anymore :-(